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DESCRIPTION:Event Name: Fred Andrews (Honeybrowne)\nEvent Url: http://www.a
 rtshound.com/event/detail/23409/Fred_Andrews_Honeybrowne\nEvent Date Begin
 : 2009-05-26\nEvent Date End: 2009-05-26\n\nDosey Doe Coffee House present
 s Fred Andrews (Honeybrowne). \nHoneybrowne has made its mark on the Texas
  music scene and beyond by going song by song\, gig by gig\, album by albu
 m and Mile By Mile\, as the title of the band's latest CD declares. Singer
 \, songwriter and group leader Fred Andrews and his musical compadres come
  by their sound and success honestly\, drawing from a rich palette of insp
 irations and then going out and road-testing the music they create to ensu
 re that it makes a genuine connection with music-loving listeners. Combini
 ng good ole hard work with a vibrant love for the magic of music\, Honeybr
 owne keep their eyes on the prize of being better and better each time out
 .\nSo how does the band follow &ldquo\;this year's first must-hear\,&rdquo
 \; as Entertainment News & Views said of their last release\, the aptly ti
 tled Something To Believe In? Answer: With a new album that enriches and e
 xpands the Honeybrowne sound on a set of even stronger songs that are boun
 d to travel with you Mile By Mile for years to come.\nCo-produced by Andre
 ws and Austin recording whiz Mark Addison (who produced Something To Belie
 ve In)\, the album is Honeybrowne's most vital and varied yet. It boasts e
 verything from expansive country-rock anthems like the title song and &ldq
 uo\;Love Wanted&rdquo\; to the twangy trot of &ldquo\;Bowling Green&rdquo\
 ; and the bluegrass-flavored &ldquo\;Line Sinker and Hook.&rdquo\; Andrews
  and drummer Stephen Bres celebrate their recent new fatherhood on the CD'
 s most touching number\, &ldquo\;Personal Lullaby\,&rdquo\; which they co-
 wrote. But happy family man Andrews also shows that he hardly forgets how 
 heartache feels on &ldquo\;Yesterday's News\,&rdquo\; &ldquo\;Left Me A Me
 ss&rdquo\; and &ldquo\;Trouble's Got a Thing For Me.&rdquo\; From the open
 ing plea of &ldquo\;Help Me Find My Way&rdquo\; to the closing two-step ro
 mp &ldquo\;Put That Ring Back On Your Finger\,&rdquo\; Mile By Mile lands 
 right within the musical sweet spot where country\, rock and pop meet.\nMi
 le By Mile brings a studio sound richness and live show presence and immed
 iacy to the listener's living room &mdash\; or car\, truck\, iPod or MP3 p
 layer\, anywhere you play it &mdash\; because it was actually recorded in 
 Andrews's living room. As the band recorded song demos there\, he so loved
  the sound they got that he suggested to Addison that they track the album
  with the band at his house. &ldquo\;We went at it for four days and came 
 out with a wonderful sounding record with a great vibe\,&rdquo\; enthuses 
 Andrews. &ldquo\;I don't think we could have made it sound that good in th
 e studio. It's the best sounding record we've done.&rdquo\;\nIt's also the
  most collaborative\, with Honeybrowne guitarist Josh Owen and drummer Bre
 s &mdash\; since departed to attend law school &mdash\; contribute to the 
 songwriting and longtime bassist Jake Blackwell carries on in his band rol
 e as MVP on the sessions as well as the road. Andrews continues his fruitf
 ul song collaborations with Addison and David Neuhauser and also pens a nu
 mber with Nashville country-rock rabble-rouser Trent Summar. &ldquo\;I don
 't wanna write a song that could be great and have it be anything less tha
 n it should\,&rdquo\; says Andrews of his enjoyment of co-writing songs.\n
 To get to the core of Fred Andrews and his songwriting\, Texas is indeed w
 here to begin\, in the town of Victoria\, to be exact\, where Andrews was 
 born and spent his early years. In the Lone Star tradition\, music was lov
 ed and played around the home: His father plays guitar and piano\, his mot
 her is also a pianist and plays violin\, and his grandfather was handy wit
 h the mandolin\, violin and banjo. Andrews played drums from age three\, l
 ater took a few piano lessons and finally settled on the guitar.\nAndrews 
 was raised square within the Texas musical tradition\, but his Chicago bre
 d father also instilled in his son his love of respected pop masters like 
 Simon & Garfunkel\, The Beatles\, Rolling Stones\, Elvis Presley\, Billy J
 oel and others. Then Fred later found his own favorites like The Replaceme
 nts\, R.E.M and U2. &ldquo\;I think my songwriting reflects a combination 
 of my Texas music heroes and all the other stuff I listen to\,&rdquo\; he 
 explains.\nTeen years in Charleston\, West Virginia also expended Andrews'
 s musical horizons\, in good part thanks to the syndicated NPR concert sho
 w &ldquo\;Mountain Stage&rdquo\; based there\, which exposed Andrews at it
 s tapings to the cr&egrave\;me de la cr&egrave\;me of singer-songwriters a
 s well the coolest alterative acts of the day.\n&ldquo\;I always liked mus
 ic a lot more than anyone else I knew\,&rdquo\; says Andrews\, who finally
  took up the guitar in his early college years at West Virginia University
  and started getting serious about playing\, singing and writing songs whi
 le finishing school at Southwest Texas State University (now known as Texa
 s State University). &ldquo\;I really didn't know how to play other people
 's music so much\, so I made up my own. I thought songwriting was really f
 un.&rdquo\;\nA gathering of friends onstage at a local bar started out as 
 &ldquo\;just playing\, drinking\, having a good time and singing all the s
 ongs we knew and ones we made up as we went along\,&rdquo\; Andrews recall
 s. &ldquo\;Then all our friends showed up and then all of their friends sh
 owed up. We would draw 500 to 600 people every Tuesday and packed the plac
 e for a year.&rdquo\;\nWhen the ad hoc group landed the opening slot at a 
 campus concert by then Texas favorites Jackopierce\, they needed a band na
 me and grabbed Honeybrowne from a beer coaster as their handle. By the tim
 e Andrews graduated he gathered his first serious core of players &mdash\;
  including his college pal\, bassist Shade Deggs\, now with Columbia recor
 ding artists Cole Deggs & The Lonesome &mdash\; and stepped out into the t
 hriving Texas live music scene.\nDebuting on CD in 2001 with Finding Shade
 \, produced by former Loggins & Messina drummer Merel Bregante\, Honeybrow
 ne picked up airplay out of the box with &ldquo\;Texas Angel&rdquo\; and &
 ldquo\;Deeper Shade of Blue&rdquo\; on Houston's KIKK and other Texas stat
 ions. A live album tracked at the famed Satellite Lounge in Houston follow
 ed and then another studio disc\, 2003's Good For Nuthin'\, consolidated t
 he band's stature as rising stars with their own sound within the booming 
 Texas music movement.\n&ldquo\;I've been making my living with music since
  about 2001\,&rdquo\; Andrews notes. &ldquo\;I may not be driving a Porsch
 e\, but I sure am enjoying it. It's a great day job and night job.\n&ldquo
 \;I think a lot of bands do their learning in garages or the rehearsal hal
 l\,&rdquo\; he continues. &ldquo\;I've done a lot mine by getting out ther
 e and playing for people.&rdquo\;\nThe wisdom of his chosen path paid off 
 when Andrews hooked up with noted Austin producer\, songwriter and artist-
 in-his-own-right Mark Addison and came up with the band's most definitive 
 statement yet in 2006 on Something To Believe In. Harp magazine noted how 
 &ldquo\;their tunes sport more hooks than a fisherman's hat&rdquo\; and pr
 aised Andrews as &ldquo\;a master of witty wordplay and pithy turns of phr
 ase\, with a winning ability to wring real emotion out of a lyric.&rdquo\;
  All Music Guide invoked names like The Mavericks and Steve Earle in its r
 eview of the CD\, also likening Andrews's vocals to masterful singer Chris
  Isaak. Now on Mile By Mile\, Honeybrowne and Addison take the music to ye
 t another higher and more engaging level.\nAlthough Andrews earned himself
  a pole vault scholarship to college\, as a musician he has shifted stride
 s to become a long-distance runner. &ldquo\;I feel like I have a long way 
 to go and that I'm making progress\, and I love it\,&rdquo\; he explains. 
 &ldquo\;I feel like I'm learning so much with every song I write and every
  album I make\, and that I'm singing better and playing guitar better.\n&l
 dquo\;We're not trying to get a record deal from Nashville\, we're not try
 ing to have a big entourage and big bus\, though those are neat things. I 
 never wanted to be major label act playing arenas with a 10-piece band. I'
 d love to instead have something like John Hiatt's career. If that were ev
 er bestowed on me\, I would feel like I'd lived 100 lives\,&rdquo\; Andrew
 s says.\n&ldquo\;We're just trying to keep it real and all about what we g
 ot into it for\,&rdquo\; he adds. &ldquo\;The whole theme is to keep it re
 al\, keep it basic\, keep it on the road. And to keep improving and perfec
 ting what we do. I've done it my way\, the only way I can and know how. No
  one gave me a book. I've learned so much more doing it this way than havi
 ng someone steer me.&rdquo\;\nAnd ultimately\, Andrews admits\, &ldquo\;I'
 m a lifer. I'm now 12 years into it and I'm still into it\, step by step.&
 rdquo\; And Mile By Mile\, making music that travels the distance from Tex
 as to the rest of the world.\n\nStart time: Start time TBD.  Call venue fo
 r details.
DTSTART:20090526T000000
DTEND:20090526T000000
LOCATION:
SUMMARY:Fred Andrews (Honeybrowne)
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