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DESCRIPTION:Event Name: Company Clare Dyson: The Voyeur\nEvent Url: http://
 www.artshound.com/event/detail/30381/Company_Clare_Dyson_The_Voyeur\nEvent
  Date Begin: 2010-01-21\nEvent Date End: 2010-01-23\n\nDiverseWorks Presen
 ts Company Clare Dyson: The Voyeur Dance. Intimacy. Privacy. Vulnerability
 . Revelation. DiverseWorks is proud to present the U.S. premiere of Voyeur
 \, the latest performance and installation by Company Clare Dyson that exp
 lores notions of intimacy\, desire\, and the act of revealing and what it 
 means to watch another person.\nIn this exciting new work\, audiences are 
 not passive viewers\, they can choose where and how they view the performa
 nce. When they enter the theater\, the audience must choose a vantage poin
 t to experience the work: a seat on the side or front of the stage\; a cha
 ir with headphones or binoculars or standing position without either. No o
 ne viewing point is the same:\, every space reveals different aspects of t
 he performers\, their thoughts and the work as a whole. Each viewer will d
 etermine how they move in the space and what is most important to them whe
 n watching and experiencing the Voyeur. This work connects audience viscer
 ally to the performers and the intimate act of revealing.\nPerformances ar
 e Thursday-Saturday\, January 21-23\, 2010 at 8pm in the DiverseWorks Thea
 ter. TWO SHOWS ADDED: Friday and Saturday at 10pm.\nVoyeur is a new contem
 porary dance work that challenges how audiences watch performance and ques
 tions what is part of the work is important for each individual audience e
 xperience. What is central to this work are the expectations of the audien
 ce prior to coming into the space: they expect to see a contemporary dance
  work\, but what does that mean? It usually means they will be watching th
 e dances on stage while they are seated in a fixed position in the auditor
 ium. These expectations are heightened further when going to a theatre &md
 ash\; the stage is another world\, the idea of choice is not entertained\,
  the proscenium is an impenetrable wall between audience and performer.\nV
 oyeur inverts these expectations with the aim of creating an experiential 
 event for the audience: it asks the audience on stage with the performers\
 , gives them agency throughout the work\, allows them to vary their proxim
 ity to the dancers and creates limited spaces that unsettles and energize.
 \nABOUT COMPANY CLARE DYSON:\nClare Dyson / Artistic Director\nChoreograph
 er Clare Dyson has been working with brother and lighting designer Mark Dy
 son for over 10 years. They develop innovative performance works that cros
 s art form boundaries\, art theory and focus on the experience of audience
 . Dyson works independently and has been commissioned by a range of compan
 ies and organizations to create innovative independent performance works t
 hroughout Australia.\nFor Clare Dyson\, art is about creating meaning: art
  as situated in the world\, not removed or separate. Her work occupies spa
 ces other than theatres and involves the audience or incorporate installat
 ion. In 2006\, Dyson received a fellowship to attend the Djerassi Resident
  Artists Program in the USA. In 2007\, she was artist-in-residence at Tanz
 fabrik in Berlin where she created the new work Being There. In 2008\, she
  had a Cit&eacute\; Internationale des Arts Residency in Paris as and will
  tour her new work\, Voyeur\, in the USA in 2009. Company information: htt
 p://www.dysonindustries.com.au.\nMark Dyson / Lighting and Set Design &nda
 sh\;\nMark has been collaborating with Clare Dyson over the last six years
  and they are engaged in a process of creation that aims to dissolve the b
 arriers between movement and light in performance. Mark has most recently 
 worked in Australia (on Clare's recent works: Constructed Realities\, Chur
 chill's Black Dog\, Absence(s)\, Being There) and is now in Europe working
  on independent theatre\, dance and music productions. His work in Europe 
 is mainly on larger scale works that are influencing his work on smaller p
 roductions such as his work in Australia with Clare. Mark was the resident
  lighting designer at the Choreographic Centre since its inception and has
  collaborated with numerous choreographers during that time. Working as th
 e in house lighting designer for the Centre he was engaged with a new chor
 eographer every six to eight weeks as part of the choreographic research p
 rogram\, and working with each new choreographer meant something different
 . He was primarily assisting with fellowships in designing and managing th
 eir final performances via lighting and production. His association with a
  number of the choreographic Fellows has also continued after their initia
 l fellowship at the Centre. He is currently completing his PhD in Art Theo
 ry.\nSimon Ellis/ Performer\nSimon Ellis is a choreographer\, performance 
 maker\, researcher and performer primarily interested in developing dance/
 performance environments and outcomes that provoke and contextualise explo
 rations of human psychology. He has a practice-led PhD investigating impro
 visation\, remembering\, documentation and liveness.\nSimon's choreographi
 es include Full (nominated for two Victorian Green Room Awards &ndash\; Be
 st Solo Performance\, Innovative Use of Space)\, and most recently Inert (
 finalist in the Australian Dance Awards 'outstanding achievement in indepe
 ndent dance' category\; and two Dance Magazine Critic's Awards for 'Best n
 ew work' and 'Most outstanding choreography'). In 2006 he completed the de
 velopment of Four Acts of Violence Leading Up to Now with David Corbet and
  Paea Leach (presented in Melbourne & Perth in September 2006\, and in the
  UK in 2007 (Derby & Northampton).\nAs a performer Simon most recently dan
 ced in his own Gertrud in London at The Place\, Natalie Cursio's Album Pro
 ject\, and also slept for 8 hours as part of Deborah Pollard's Shapes of S
 leep at Inbetween Time Festival (Bristol). He has also performed for\, amo
 ngst others\, Bagryana Popov\, Jude Walton\, Douglas Wright\, Don Asker\, 
 Michael Parmenter\, Tony Yap\, Rivergrass Dance Theatre (Malaysia)\, Shann
 on Bott\, Gerard van Dyck\, and Natalie Cursio.\nIn 2007 Simon directed an
 d performed the initial development of Crevice\, a multi-screen video & pe
 rformance environment. The dance/video installation Still/Live (developed 
 with David Corbet and based on the online dad-project) was presented as pa
 rt of ReelDance 07 in Sydney\, and again in Northampton (Fishmarket) and D
 erby (Derby Dance). Simon's short film\, then/now\, was selected to premie
 re at Electrofringe 07\, and has since been presented in Manchester (moves
 08)\, New York\, Durham (American Dance Festival)\, Budapest and Baia Mare
 .\nIn 2008 he was commissioned to develop Gertrud for The Place Prize 2008
 \, in which he was selected as one of five finalists. Later in the year he
  will create a new screen project\, Anamnesis\, as well as work with Helen
  Herbertson and Bagryana Popov on the development of two new solo performa
 nces. His screendance collaboration with Tim Halliday &ndash\; Tuesday &nd
 ash\;premiered in the UK in March 2009.\nABOUT DIVERSEWORKS ARTSPACE \nKno
 wn for its groundbreaking artistic and education programs\, DiverseWorks i
 s one of the premiere contemporary arts centers in the United States. Dive
 rseWorks has been a hub for the presentation of daring and innovative work
 \, a commissioner of major artistic projects in all disciplines\, and an a
 dvocate for artists worldwide. Founded by artists for artists\, DiverseWor
 ks continues its commitment to bold artistic exploration\, creative risk-t
 aking\, and building audiences for contemporary art.\n\nStart time: Thursd
 ay-Saturday\, \nJanuary 21-23\, 2010\nat 8pm\nTWO SHOWS ADDED: Friday and 
 Saturday at 10pm.
DTSTART:20100121T000000
DTEND:20100123T000000
LOCATION:
SUMMARY:Company Clare Dyson: The Voyeur
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