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    VISUAL ARTS + MUSEUMS

    2009 School of Art Masters Thesis Exhibitions

    Presented by Blaffer Gallery - University of Houston at Blaffer Art Museum at the University of Houston

    April 10-April 25, 2009

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    2009 School of Art Masters Thesis Exhibitions

    Blaffer Gallery, the Art Museum of the University of Houston, is pleased to present the 2009 School of Art Masters Thesis Exhibition, on view April 11 through April 25, 2009. The show features work from 12 graduating Master of Fine Arts students from the University of Houston's School of Art in the College of Liberal Arts and Social Sciences. Blaffer Gallery is located in the Fine Arts Building on the University of Houston's...

    Blaffer Gallery, the Art Museum of the University of Houston, is pleased to present the 2009 School of Art Masters Thesis Exhibition, on view April 11 through April 25, 2009. The show features work from 12 graduating Master of Fine Arts students from the University of Houston's School of Art in the College of Liberal Arts and Social Sciences. Blaffer Gallery is located in the Fine Arts Building on the University of Houston's central campus. A free opening reception is scheduled for April 10 from 6 until 8 p.m.

    The Masters Thesis Exhibition, held annually at Blaffer since 1981, is the culmination of MFA candidates' work at the end of their three-year program. For many of them, it is the first opportunity to show their art in a museum setting. This year's graduating class includes Noora Alsalman and Zack Zwicky from the graphic communications department; Kristen Cliburn, Norberto Gomez Jr., Cody Ledvina and Cheyenne Ramos from painting; Michael Brims and Richard Wall who work in photography and digital media; and sculpture students Joel A. Bender Jr., Dennis Harper, Samantha Medellin and Emily Sloan.

    "The 12 artists represented in this year's Masters Thesis Exhibition have created engaging art that truly speaks to their passions," stated Blaffer curator Rachel Hooper. "The MFA candidates challenge viewers with fresh topics pertinent to today and give us an intimate look at what they've been creating in their studio for the past three years."

    The works in the exhibition consist of media as diverse as the subject matter they present. In her mixed-media graphic piece, Forming Interstices, Noora Alsalman has designed a new set of emblems for her native country, Iraq, which reflects the population's ethnic diversity. In his untitled assemblage of found objects, Joel A. Bender Jr. smashes and reassembles items significant to him in an attempt to break out of the confines of his past. Michael Brims's video Just a Whisper explores issues of self and national identity. In her acrylic on canvas painting Afterglow II, Kristen Cliburn draws inspiration from sunsets and colorful skies to determine her palette. Norberto Gomez Jr.'s hairy nude, graphite on paper, examines what it means to be a man and serves as an allegory for the struggles raging inside the artist.

    Dennis Harper's multimedia installation Mr. Libido Wears a Blue Tuxedo is a critique and celebration of humanity's bizarre qualities during a first date. Connection, by Samantha Medellin, consists of large links of burnt wood hung in the museum that symbolize the artist's desire to connect to the loved ones she feels separated from. Cody Ledvina works with watercolor and graphite in Big Drawing of a Little Boy Held by Two Art Objects, which is his statement on the absurdities of popular culture. In her untitled oil and mixed media on canvas piece, Cheyenne Ramos explores underlying human fears while portraying the natural world as an unrelenting and sublime force. Sculptor Emily Sloan creates her own snow globe with Global House Warming (Aunt Boo´s House), which serves as a memento of a past or a dreamed-of place.

    Scream, a digital print by Richard Wall, features cartoon icons Rocky and Bullwinkle, along with classic green plastic army men and a toy truck, appearing to be in battle with ghostlike floating heads. Slightly comical at first sight, the work becomes darker as the viewer learns that it is the artist's interpretation of childhood dealings with his alcoholic father. With his mixed media piece Digital Cabinet of Curiosities, Zack Zwicky displays cultural artifacts in an appeal to embrace diverse perspectives in order to properly understand the world.

    Visitors can see examples of the artists' works online at www.blaffergallery.org. The 2009 School of Art Masters Thesis Exhibition is made possible by the University of Houston's Student Fees Advisory Committee.

    Brown Bag Gallery Tours:

    Wednesday, April 15, noon
    Kristen Cliburn
    Norberto Gomez Jr.
    Dennis Harper
    Cody Ledvina

    Wednesday, April 22, noon
    Joel A. Bender Jr.
    Michael Brims
    Samantha Medellin
    Emily Sloan
     

    Thursday, April 23, noon
    Noora Alsalman
    Cheyenne Ramos
    Richard Wall
    Zack Zwicky

    Pictured above:  Emily Sloan, detail Global House Warming (Aunt Boo´s House), 2008, C-print, wood, acrylic, liquid, 14 x 14 x 8 inches.


    Blaffer Art Museum at the University of Houston

    The University of Houston
    120 Fine Arts Building
    Houston, TX 77204

    Full map and directions

    Tickets:

    The museum is free and open to the public.


    Times:

    Opening Reception:
    Friday, April 10
    6pm-8pm

    Brown Bag Tours:
    See details, above

    Regular Gallery Hours:
    Tues-Sat: 10am-5pm
    Closed on Sundays, Mondays, and University holidays


    Phone: 713.743.9530

    Parking:

    Reserved parking for museum visitors is along the front of parking lot 16B directly across from the Fine Arts Building. Visitors parking in the reserved area should check in at the museum's front desk.

    All University lots require a parking permit during the hours of 8 am-7 pm but cars may also park in lot 16F for $3. Buses may park in lot 16D. In addition, temporary parking permits may be obtained from the information booth. Parking is free on weeknights after 7 pm and during the weekends
     


    Accessibility Info: Currently, no accessibility information is available for this event.

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