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    VISUAL ARTS + MUSEUMS

    The Moon: Houston, Tranquility Base here. The Eagle has landed

    Presented by Museum of Fine Arts, Houston at Museum of Fine Arts - Audrey Jones Beck Building

    September 27, 2009-January 10, 2010

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    The Moon: Houston, Tranquility Base here. The Eagle has landed

    To mark the 40th anniversary of man’s landing on the moon, this September The Museum of Fine Arts, Houston presents The Moon: “Houston, Tranquility Base Here. The Eagle has Landed,” an exhibition that chronicles man’s enduring fascination over five centuries with our nearest planetary neighbor. Ranging from moonlit landscapes by the Old Masters and the Impressionists, to Ansel Adams’ iconic...

    To mark the 40th anniversary of man’s landing on the moon, this September The Museum of Fine Arts, Houston presents The Moon: “Houston, Tranquility Base Here. The Eagle has Landed,” an exhibition that chronicles man’s enduring fascination over five centuries with our nearest planetary neighbor. Ranging from moonlit landscapes by the Old Masters and the Impressionists, to Ansel Adams’ iconic Moonrise, Hernandez, New Mexico (1941) and shots famously taken on the moon by the members of Apollo 11, the exhibition provides a dazzling overview of five centuries of moon-gazing.

    In addition, early scientific instruments, books, moon globes, maps, Galileo Galilei’s 1610 treatise on the moon, and objects from NASA will be on view. The Moon will be presented September 27, 2009-January 10, 2010 in the Audrey Jones Beck Building. The exhibition was conceived by Dr. Andreas Blühm, director of the Wallraf-Richartz Museum, Cologne, and is presented in Houston in an expanded version under the direction of the MFAH’s associate curator of European art, Helga Aurisch.

    The exhibition’s title is taken from the famous first words that Commander Neil Armstrong broadcast to Mission Control, at the Johnson Space Center in Houston, after Apollo 11 landed on the moon on Sunday, July 20, 1969, 3:18 p.m. CST: “Houston, Tranquility Base here. The Eagle has landed.” By changing the call signal to Tranquility Base, the landing site, Armstrong signaled to his colleagues back on Earth that the lander portion of their spacecraft (named the Eagle after the USA’s national bird) had set down on the moon.

    “The moon has captured the imagination of artists throughout the ages, and this delightful survey celebrates the beauty of the planet as depicted by great painters, photographers, and sculptors during a span of 500 years,” commented MFAH director Dr. Peter C. Marzio. “Displayed chronologically, presentations of the moon vary from mysterious and romantic to documentarian, revealing man’s changing perception of space over time.”

    “The ever-changing, yet ever-constant image of the moon is a widespread visual motif in Western art,” said Aurisch. “From representations of the unobtainable planet subtly lighting landscapes in beautiful nocturne paintings to a photorealistic painting created by an astronaut who explored space, the works on view represents different stages in the artistic perception and interpretation of the moon.”

    On view will be works by Albrecht Dürer, Peter Paul Rubens, Aelbert Cuyp, Joseph Wright of Derby, Caspar David Friedrich, Honoré Daumier, Jean-François Millet, Charles-François Daubigny, Gustav Doré, Edouard Manet, Edvard Munch, Max Beckmann, Robert Wilson, and Sharon Harper.

    The oldest objects in the exhibition, such as The Virgin of the Crescent Moon (1511), a woodcut by the great German Renaissance artist Albrecht Dürer, show the moon in a religious context; the most recent artworks on view are No.5-7 from Sharon Harper’s series of photographs, Moon Studies and Star Scratches (2004). In addition, the exhibition will feature a painting by Apollo 12 astronaut Alan Bean, who depicts his travels in space in a photorealist style using actual moon dust on his paintings, as well as photographs taken by Buzz Aldrin and Neil Armstrong during their lunar landing. Scientific objects—books and maps, instruments, globes, and models—will also be on display, and point to revealing connections between science and art throughout the exhibition.

    For example, Flemish Baroque master Peter Paul Rubens’ Self-Portrait in a Circle of Friends at Mantua (c. 1605-06) depicts himself facing the philosopher, astronomer, and physicist Galileo Galilei within the group of intellectuals and artists assembled by the Vincenzo Gonzaga, Duke of Mantua. Pages from Galileo’s Sidereus Nuncius (or Starry Messenger, 1610), the first scientific treatise based on observations made with the use of a telescope, will also be on view.

    Through approximately 130 artworks and a selection of early scientific instruments and maps, the exhibition details how mankind has approached the moon over time, both optically and artistically. Balancing artistic vision with scientific fact, major historical moments are represented, from the invention of the telescope, to the introduction of photography, to space exploration and man’s landing on the moon. Through the interaction of art and science, our perception of the planet has been shaped, and all the paintings, graphic artworks, models, sculptures, and photographs depict the same iconic subject in unique, intriguing ways.

    Pictured:  Neil Armstrong, Buzz Aldrin Explores the Moon.


    Museum of Fine Arts - Audrey Jones Beck Building

    5601 Main Street
    Houston, TX 77005

    Full map and directions

    Tickets:

    $7.00 adults
    $3.50 seniors/children 5-18

    Free admission on Thursdays.

    Children (18 and under) with a Houston Public Library PowerCard or any Public Library card receive free general admission on Saturday and Sunday.


    Times:

    Regular Exhibition Hours:
    Tues, Wed 10am-5pm
    Thurs 10am-9pm
    Fri, Sat 10am-7pm
    Sun 12:15pm–7pm

    Closed Monday, except Monday holidays.

    Closed Thanksgiving Day and Christmas Day.


    Phone: 713-639-7300

    Parking:

    Museum Parking Garage
    Located directly east of the Beck and Law buildings, the MFAH Visitors Center features a four-story covered parking garage.

    The easy-to-find parking entrance is on Binz, marked by a large, yellow arrow.

    You're always protected from the elements when you park your car in the Museum Garage. From there, you can go to the Visitors Center lobby and find a ticketing desk and up-to-the minute museum information.

    As an added convenience, you can enter the Beck and Law buildings from the Visitors Center through security-monitored, climate-controlled tunnels connecting all three buildings.
     


    Accessibility Info: Currently, no accessibility information is available for this event.

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