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    MUSIC

    Ladysmith Black Mambazo

    Presented by Society for the Performing Arts at Jones Hall for the Performing Arts

    February 4, 2011

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    Ladysmith Black Mambazo

    Society for the Performing Arts (SPA), presents Ladysmith Black Mambazo, at 8pm Friday, February 4, 2011, in Jones Hall. Part of the 2010-2011 "Experience the Magic" Season International Series.

    Since Paul Simon’s Graceland album catapulted South Africa’s Ladysmith Black Mambazo to worldwide fame, the Grammy Award-winning a cappella group...

    Society for the Performing Arts (SPA), presents Ladysmith Black Mambazo, at 8pm Friday, February 4, 2011, in Jones Hall. Part of the 2010-2011 "Experience the Magic" Season International Series.

    Since Paul Simon’s Graceland album catapulted South Africa’s Ladysmith Black Mambazo to worldwide fame, the Grammy Award-winning a cappella group has remained true to melding the tradition of Zulu harmony singing with gospel and reggae for an unforgettable musical and spiritual alchemy.

    Their rich, uplifting harmonies and effortlessly synchronized dancing convey universal themes of faith, hope and peace, yielding performances of pure, uninhibited joy.

    For over forty years, the voices of Ladysmith Black Mambazo have married the intricate rhythms and harmonies of theirnative South African musical traditions to the sounds and sentiments of Christian gospel music. The result is a musical and spiritual alchemy that has touched a worldwide audience representing every corner of the religious, cultural and ethnic landscape. Their musical efforts over the past four decades have garnered praise and accolades within the recording industry, but also solidified their identity as a cultural force to be reckoned with.

    Assembled in the early 1960s, in Durban South Africa, by Joseph Shabalala (still currently leading the group) – then a young farmboy turned factory worker –Joseph took the name Ladysmith Black Mambazo – Ladysmith being the name of Shabalala’s rural hometown; Black being a reference to oxen, the strongest of all farm animals; and Mambazo being the Zulu word for axe, a symbol of the group’s ability to “chop down” any singing rival who might challenge them. Their collective voices were so tight and their harmonies so polished that they were eventually banned from competitions – although they were welcomed to participate strictly as entertainers.

    The group's path had a specific direction: “To bring this gospel of loving one another all over the world,” Joseph says. However, he’s quick to point out that the message is not specific to any one religious orientation. “Without hearing the lyrics, this music gets into the blood, because it comes from the blood,” he says. “It evokes enthusiasm and excitement, regardless of what you follow spiritually.”

    A radio broadcast in 1970 opened the door to their first record contract – the beginning of an ambitious discography that currently includes more than fifty recordings. Their philosophy in the studio was – and continues to be – just as much about preservation of musical heritage as it is about entertainment. The group borrows heavily from a traditional music called isicathamiya (is-cot-a-ME-Ya), which developed in the mines of South Africa, where black workers were taken by rail to work far away from their homes and their families. Poorly housed and paid worse, the mine workers would entertain themselves after a six-day week by singing songs into the wee hours on Sunday morning. When the miners returned to the homelands, this musical tradition returned with them.

    In the mid-1980s, Paul Simon visited South Africa and incorporated Black Mambazo’s rich tenor/alto/bass harmonies into his Graceland album – a landmark 1986 recording that was considered seminal in introducing world music to mainstream audiences. "Graceland" one many awards including the Grammy Award for Best Album of the Year. A year later, Simon produced Black Mambazo’s first U.S. release, Shaka Zulu, which won the Grammy Award, in 1988,for Best Traditional Folk Album. Since then, and in total, the group has received fifteen Grammy Award Nominations and three Grammy Award wins, including one in 2009.

    In addition to their work with Paul Simon, Ladysmith Black Mambazo has recorded with numerous artists from around the world, including Stevie Wonder, Josh Groban,Dolly Parton, Ben Harper and many others. Their 2006 CD, "Long Walk To Freedom" had guest singers join them, such as Sarah McLachlan, Natalie Merchant, Melissa Etheridge, Emmylou Harris, Taj Mahal and others. Their film work includes an appearance in Michael Jackson’s Moonwalker video and Spike Lee’s Do It A Cappella.They provided soundtrack material for Disney’s The Lion King, Part II as well as Eddie Murphy’s Coming To America, Clint Eastwood's Invictus, Marlon Brando’s A Dry White Season, Sean Connery’s The League of Extraordinary Gentlemen andJames Earl Jones’ Cry The Beloved Country. A film documentary titled On Tip Toe: Gentle Steps to Freedom, the story of Ladysmith Black Mambazo, was nominated for an Academy Award. The group is also well known for its Life Savers candy commercials as well as adverts with Heinz Beans. Their performance with Paul Simon on Sesame Street is legendary and is one of the top three requested Sesame Street segments in history.

    Ladysmith Black Mambazo has been invited to perform at many special occasions. By special invitation from South African President Nelson Mandela, they performed for the Queen of England and the Royal Family at the Royal Albert Hall in London. The group has also performed at two Nobel Peace Prize Ceremonies, a concert for Pope John Paul II in Rome, the South African Presidential inaugurations, the 1996 Summer Olympics and many other special events. In the summer of 2002, Black Mambazo was again asked to represent their nation in London at a celebration for Queen Elizabeth’s 50th Anniversary as Monarch. They shared the stage with Paul McCartney, Rod Stewart, Eric Clapton, Joe Cocker and Phil Collins.

    Just when one think the group should be slowing down they are entering what should be the busiest years of their career since "Graceland." They have six new recording projects they are readying for release, a new concert DVD and a Children's project. They have long wished to release a trilogy of CD's that sing of their life experiences in South Africa called "Our South African Life." Volume one, coming out January, 2011 is "Songs From A Zulu Farm." This wonderful recording is important to the group members because the older members of the group were born and raised on the farms outside of Ladysmith. It is a collection of original and traditional songs that sing of life on the farm. This release will coincide with a world tour that brings them to the USA in early 2011, Europe in May-June 2011 and other places to be announced later in the year.

    No, time is not slowing down for the group. As Joseph Shabalala says, "We are teachers. We travel the world spreading our message of Peace, Love and Harmony. What could be better or more important than that."


    Jones Hall for the Performing Arts

    615 Louisiana
    Houston, TX 77002

    Full map and directions

    Tickets:

    $24-$54


    Times:

    8pm


    BMC Software Arts Talk: Available to all ticket holders, SPA presents pre-performance lectures, sponsored by BMC Software, given by local experts and scholars or post-performance Q&As by the world-class performers we present on stage.


    Arts Talk! TBD


    H-E-B Performance Prelude: Local performing arts groups, schools and organizations are invited to perform original pieces as a prelude to the world-class performers brought to Houston by Society for the Performing Arts. These performances are presented immediately preceding the main stage performances and are free of charge to ticket holders. Don’t miss out on your opportunity to see great local talent!


    H-E-B Performance Prelude: TBD


    Phone: 713-227-4SPA

    Parking:

    RATES
    6 a.m. to 5 p.m., Monday thru Friday
    HOURLY PARKING
    0 to 10 min. - FREE
    11 min. to 1 hour - $3
    1 hour to 2 hours - $5
    2 hours to 3 hours - $7
    3 or more hours - $9
    Maximum rate - $9 per day
    Lost ticket - $9 per day

    RATES
    5 p.m. to 6 a.m., Monday thru Friday and Weekends EVENT PARKING
    $7 (payable upon entry)


    Accessibility Info: Currently, no accessibility information is available for this event.

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