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    VISUAL ARTS + MUSEUMS

    14th Annual Virginia and Ira Jackson Lecture: Ready for Liftoff: Robert Rauschenberg’s ‘Stoned Moon Series’

    Presented by Museum of Fine Arts, Houston at Museum of Fine Arts Houston - Brown Auditorium

    September 22, 2011

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    14th Annual Virginia and Ira Jackson Lecture: Ready for Liftoff: Robert Rauschenberg’s ‘Stoned Moon Series’

    The Museum of Fine Arts, Houston presents the 14th Annual Virginia and Ira Jackson Lecture: Ready for Liftoff: Robert Rauschenberg’s ‘Stoned Moon Series,’ Thursday, Sep 22, 2011, 6:30 PM - 7:30 PM. Presented by Richard H. Axsom, Curator of collections, Madison Museum of Contemporary Art, Senior curator, prints and photographs, Grand Rapids Art Museum, Professor emeritus of art...

    The Museum of Fine Arts, Houston presents the 14th Annual Virginia and Ira Jackson Lecture: Ready for Liftoff: Robert Rauschenberg’s ‘Stoned Moon Series,’ Thursday, Sep 22, 2011, 6:30 PM - 7:30 PM. Presented by Richard H. Axsom, Curator of collections, Madison Museum of Contemporary Art, Senior curator, prints and photographs, Grand Rapids Art Museum, Professor emeritus of art history, University of Michigan.

    Stoned Moon Series was Robert Rauschenberg’s ambitious response to the American space program and the landmark Apollo 11 mission that put Neil Armstrong and Buzz Aldrin on the lunar surface on July 20, 1969. Invited by the National Aeronautics and Space Administration, Rauschenberg witnessed the momentous launch at the Kennedy Space Center in Florida. Each lithograph in the series is a collage of official NASA photographs—space rockets, astronauts and cosmonauts, engineering diagrams, and maps—with photo transfers of images from the natural environment, popular culture, the history of flight, and art history. Characteristic of Rauschenberg’s art at the time, these photographic images are interwoven with explosive brushstrokes and drawings.

    Rauschenberg (1925–2008) rose to prominence during the late 1950s, as American art was in transition from Abstract Expressionism to Pop Art. Though better known for his “Combines,” in which nontraditional materials and objects were used to create a hybrid between painting and sculpture, he was as innovative in his approach to printmaking.

    In this richly illustrated lecture, Richard H. Axsom explores the significance of one of the most epic print projects of the 20th century in terms of its prodigious execution, monumental scale, technical innovations, and narrative complexities.

    This lecture receives generous funding from the Virginia and Ira Jackson Endowment Fund at the MFAH and is dedicated in fond memory of Virginia Jackson (1919–2007).


    Museum of Fine Arts Houston - Brown Auditorium

    1001 Bissonnet Street
    Houston, TX 77006

    Full map and directions

    Tickets:

    This program is free and open to the public.


    Times:

    6:30pm. A reception to meet the speaker follows the lecture.


    Phone: 713-639-7300

    Parking:

    Museum Parking Garage
    Located directly east of the Beck and Law buildings, the MFAH Visitors Center features a four-story covered parking garage.

    The easy-to-find parking entrance is on Binz, marked by a large, yellow arrow.

    You're always protected from the elements when you park your car in the Museum Garage. From there, you can go to the Visitors Center lobby and find a ticketing desk and up-to-the minute museum information.

    As an added convenience, you can enter the Beck and Law buildings from the Visitors Center through security-monitored, climate-controlled tunnels connecting all three buildings.
     


    Accessibility Info: Currently, no accessibility information is available for this event.

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